Kazimir Malevich - Supematism - Guggenheim 2003 - Saint-Martin Bookshop
Kazimir Malevich - Supematism - Guggenheim 2003 - Saint-Martin Bookshop
Kazimir Malevich - Supematism - Guggenheim 2003 - Saint-Martin Bookshop
Kazimir Malevich - Supematism - Guggenheim 2003 - Saint-Martin Bookshop
Kazimir Malevich - Supematism - Guggenheim 2003
Kazimir Malevich - Supematism - Guggenheim 2003
Kazimir Malevich - Supematism - Guggenheim 2003
Kazimir Malevich - Supematism - Guggenheim 2003
Kazimir Malevich - Supematism - Guggenheim 2003
Kazimir Malevich - Supematism - Guggenheim 2003

Malevitch Kazimir

Kazimir Malevich - Supematism - Guggenheim 2003

In 1915, Kazimir Malevich changed the future of Modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism-an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpieces, including Black Square (1915) and White Square on White (1920-27), continue to inspire artists throughout the world.
Accompanying the first exhibition to focus exclusively on this defining moment in Malevich's career, this book featured of nearly 120 paintings, drawings, and objects includes in addition, previously unpublished letters, texts and diaries, along with essays by international scholars, who shed new light on this influential figure and his devotion to the spiritual in art. 

Guggenheim Museum Publications - 2003
268p - EN - 28.5x24.5cm - hardcover in dust-jacket - good overall condition